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Il castello delle cento rose
Author: P. Marina Pieroni
Publisher: Youcanprint
ISBN: 8891155802
Pages:
Year: 2014-09-19
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Le Principesse del Regno Bianco ricevono un messaggio misterioso. Qualcuno le invita a recarsi a un ballo in maschera, a Sauin: la notte degli spiriti antichi, nel castello delle cento rose, abbandonato da oltre un secolo. Serenia andrà al ballo con un pugnale infilato nella giarrettiera sotto la gonna, perché tra gustosi aperitivi, allegri balli e dichiarazioni d’amore, qualche giovane demone potrebbe essere sempre in agguato. Il Prequel di Bianco e Nero di P.Marina Pieroni. Un racconto delle Cronache dalle Terre di Arret.
The Cento: a Collection of Poetry, Original and Select
Author: CENTO.
Publisher:
ISBN:
Pages: 251
Year: 1840
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Ninety Percent of Everything
Author: Rose George
Publisher: Macmillan
ISBN: 0805092633
Pages: 304
Year: 2013-08-13
View: 444
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Revealing the workings and dangers of freight shipping, which is the key to our economy, environment and civilization, the author sails from Rotterdam to Suez to Singapore to present an eye-opening glimpse into an overlooked world filled with suspect practices, dubious operators and pirates.
La Vita � un giorno in Litweb Lit-film di Una e diversi
Author: Ippolita Luzzo
Publisher: Lulu.com
ISBN: 0244958157
Pages:
Year:
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The Quattro Cento
Author: Adrian Stokes
Publisher: Penn State Press
ISBN: 0271022175
Pages: 263
Year: 2002
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Adrian Stokes (1902-1972) was a British painter and author whose writings on art have been allowed to go out of print despite their impact on Modernism and ongoing acclaim for their beauty and intellectual acuity. Two of his most influential books, The Quattro Cento of 1932 and Stones of Rimini of 1934, are brought together for the first time in this new volume, which includes all their original illustrations. This new edition also provides a foreword by Stephen Bann and introductions by David Carrier and Stephen Kite that place Stokes's masterworks in the context of early twentieth-century culture and discuss their structure and relevance to today's experience of art and architecture.Written as parts of an incomplete trilogy, The Quattro Cento and Stones of Rimini mark a crossroads in the transition from late Victorian to Modernist conceptions of art, especially sculpture and architecture. Stokes continued, even extended, John Ruskin's and Walter Pater's belief that art is essential to the individual's proper psychological development but wove their teaching into a new aesthetic shaped by his analysis with Melanie Klein and recent innovations in literature, dance, and the visual arts.Few writers have been able to invoke the material presence of works of art in the way Stokes does in The Quattro Cento and Stones of Rimini. They combine travel writing with acts of looking spun out so as to reinterpret the imposing legacy of the Italian Renaissance through an aesthetic of the direct carving of stone, which has parallels in the sculpture of Henry Moore and Barbara Hepworth but was for Stokes the discovery of artists in fifteenth-century Italy. To his way of thinking, there then arosea realization that the materials of art "were the actual objects of inspiration, the stocks for the deepest fantasies." During the Renaissance, Stokes maintained, stone accordingly "blossomed" into sculpture and buildings,
The Quattro Cento and Stones of Rimini
Author: Adrian Stokes
Publisher: Routledge
ISBN: 1351748572
Pages: 668
Year: 2018-04-27
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This title was first published in 2002. Adrian Stokes was a British painter and writer whose books on art have been allowed to go out of print despite their impact on Modernist culture. This new edition of The Quattro Cento and The Stones of Rimini presents the original texts of 1932 and 1934 and furnishes them with introductions by David Carrier and Stephen Kite that will help readers grasp the structure and significance of what have become Stokes' most widely cited and influential books. Written as parts of an incomplete trilogy, The Quattro Cento and The Stones of Rimini mark a crossroad in the transition from late Victorian to Modernist conceptions of art, especially sculpture and architecture. Stokes continued, even expanded, John Ruskin's and Walter Pater's belief that art is essential to the individual's proper psychological development but wove their teaching into a new aesthetic shaped by his experience of psychoanalysis and recent innovations in literature, dance, and the visual arts. This volume will be of interest to those concerned with art criticism, aesthetics and psychoanalysis, as well as the art and architecture of the Renaissance and Modern periods. Supported by the Henry Moore Foundation in memory of David Sylvester.
Some account of the worshipful Company of Skinners of London
Author: James Foster Wadmore
Publisher:
ISBN:
Pages: 340
Year: 1902
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Olympia's Journal
Author: W. S. Holnut
Publisher:
ISBN:
Pages: 221
Year: 1895
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Congressional Serial Set
Author:
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ISBN:
Pages:
Year: 1887
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The Collector
Author:
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Pages:
Year: 1884
View: 170
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The rose of Venice
Author: S. Christopher
Publisher:
ISBN:
Pages: 286
Year: 1881
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CENTO Conference on National and Regional Agricultural Development Policy, Istanbul, Turkey, September 11-16, 1967
Author: Central Treaty Organization
Publisher:
ISBN:
Pages: 202
Year: 1968
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Trial of the rev. Edward Irving, a cento of criticism
Author:
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ISBN:
Pages:
Year: 1823
View: 440
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CENTO Seminar on Agricultural Planning Held in Tehran, Iran, August 28 to September 2, 1971
Author: Mary Margaret Lawrence
Publisher:
ISBN:
Pages: 267
Year: 1971
View: 399
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The Classical Weekly
Author:
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ISBN:
Pages:
Year: 1922
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