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Historical Dictionary of Crime Films
Author: Geoff Mayer
Publisher: Scarecrow Press
ISBN: 0810867699
Pages: 463
Year: 2012
View: 157
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The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential. The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema.
Bibliografía española
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Year: 2003
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Noir
Author: Gabriele Lucci
Publisher:
ISBN:
Pages: 351
Year: 2006
View: 243
Read: 247

Rethinking the Femme Fatale in Film Noir
Author: J. Grossman
Publisher: Springer
ISBN: 0230274986
Pages: 176
Year: 2009-10-21
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In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the "femme fatale" figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with "bad" women.
Masters of Light
Author: Dennis Schaefer, Larry Salvato
Publisher: Univ of California Press
ISBN: 0520956494
Pages: 374
Year: 2013-01-19
View: 642
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Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. This reissue includes a new foreword by cinematographer John Bailey and a new preface by the authors, which bring this classic guide to cinematography, in print for more than twenty-five years, into the twenty-first century.
Criterio
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Year: 1955
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Cinema and Painting
Author: Angela Dalle Vacche
Publisher: University of Texas Press
ISBN: 0292715838
Pages: 303
Year: 1996
View: 752
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The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.
Missing Beauty
Author: Teresa Carpenter
Publisher: Pinnacle Books
ISBN: 0786004495
Pages: 605
Year: 1989-09-01
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Recounts the investigation of the disappearance and presumed murder of a highly-paid prostitute and the Tufts University professor implicated in the case
Fearing the Dark
Author: Edmund G. Bansak
Publisher: McFarland
ISBN: 0786417099
Pages: 581
Year: 2003-01-01
View: 518
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Cat People (1942) and I Walked with a Zombie (1943) established Val Lewton's hauntingly graceful style where suggestion was often used in place of explicit violence. His stylish B thrillers were imitated by a generation of filmmakers such as Richard Wallace, William Castle, and even Walt Disney in his animated Adventures of Ichabod and Mr. Toad (1949). Through interviews with many of Lewton's associates (including his wife and son) and extensive research, his life and output are thoroughly examined.
Shock Value
Author: Jason Zinoman
Publisher: Gerald Duckworth & Co
ISBN: 0715643843
Pages: 272
Year: 2012-07-04
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In the New Hollywood of the 1970s, just as Martin Scorsese, Steven Spielberg and Francis Ford Coppola were making their first classic films, a parallel group of directors was inventing the modern horror film. Wes Craven, George A. Romero, Roman Polanski, John Carpenter, Brian De Palma and others made films that were aggressive, raw and utterly original. They would go on to achieve massive box office success. Based on unprecedented access to these leading figures, and hundreds of other interviews, Jason Zinoman's Shock Value delivers an enthralling behind-the-scenes account of horror's golden age. Films such as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre and Halloween created the template used by horror films ever since. They exploded taboos and drew on their creators' deepest anxieties to bring horror a gritty, confrontational style and political edge. Shock Value tells the remarkable stories behind the making of these films, which remain misunderstood even by some avid fans. Shot largely outside the Hollywood system on shoestring budgets, they dispensed with traditional vampires and werewolves, assaulting audiences with the dark side of suburbia and a new brand of nihilistic violence. When The Exorcist became the highest-grossing blockbuster of all time, the big studios took notice and the cinema would never be the same again. As the classic horror films of the 1970s conquered both the multiplex and the art house, thy entered the collective imagination and as Jason Zinouman shows, even taught us what to be afraid of. Shock Value is an enormously entertaining account of a highly influential era in filmmaking and Hollywood history.
Winter Quarters
Author: Osvaldo Soriano
Publisher:
ISBN:
Pages: 192
Year: 1989
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An unsuccessful boxer and a tango singer become friends and attempt to start a local festival in the little Argentinian town of Colonia Vela.
Rififi
Author: Alastair Phillips
Publisher: I.B.Tauris
ISBN: 0857716484
Pages: 136
Year: 2009-11-30
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Du rififi chez les hommes' (1955), directed by the exiled American film director Jules Dassin, recounts the nail-biting tale of a Parisian gangster heist gone wrong. Famed for its extended dialogue free robbery sequence, it is both a classic French film noir and one of the greatest, most influential crime films. In this lively companion to the film, Alastair Phillips reveals Dassin’s role as a director of socially conscious Hollywood film noir and argues that his seminal contribution to the regeneration of the thriller in post war France therefore uniquely complicated relations between French genre cinema and American mass culture._x000D_ _x000D_ Phillips also examines the film's innovative narrative construction and use of sound, its performance style and mise-en-scène, and discusses the film's legacy, showing how even today, the term ‘Rififi’ remains a byword for both criminal glamour and the enduring virtues of French popular classical filmmaking.
The Making of Citizen Kane
Author: Robert L. Carringer
Publisher: Univ of California Press
ISBN: 0520205677
Pages: 182
Year: 1996
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Citizen Kane, widely considered the greatest film ever made, continues to fascinate critics and historians as well as filmgoers. While credit for its genius has traditionally been attributed solely to its director, Orson Welles, Carringer's pioneering study documents the shared creative achievements of Welles and his principal collaborators. The Making of Citizen Kane, copiously illustrated with rare photographs and production documents, also provides an in-depth view of the operations of the Hollywood studio system. This new edition includes a revised preface and overview of criticism, an updated chronology of the film's reception history, a reconsideration of the locus of responsibility of Welles's ill-fated The Magnificent Ambersons, and new photographs.
Orson Welles
Author: Simon Callow
Publisher: Viking Adult
ISBN: 0670024910
Pages: 496
Year: 2016-04-05
View: 547
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Traces the life and career of the legendary director, discussing the making of "Citizen Kane," his contributions to such films as "The Magnificent Ambersons" and "The Lady from Shanghai," and his efforts in radio comedy, spectacular theater, and newspaper politics.
The Little Sister
Author: Raymond Chandler
Publisher: Harper Collins
ISBN: 1443417750
Pages: 260
Year: 2012-10-30
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The Little Sister focuses on popular private eye Philip Marlowe. When hired for an easy job—to find a seemingly innocent girl's older brother—Marlowe doesn't expect to find a trail of dead bodies or gangsters in love with movie stars. As he begins to solve the riddles surrounding his investigation, Marlowe discovers that in Hollywood, people will do anything to keep a clean reputation. From one of the original hardboiled detective writers, Raymond Chandler's Philip Marlowe is in a class of his own. Written after Raymond Chandler’s stint as a Hollywood screenwriter, The Little Sister reflects Chandler’s experience in the film industry, its corruption, and obsession with image. The Little Sister has been adapted for film and radio. HarperPerennial Classics brings great works of literature to life in digital form, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.